The Agape New Testament Church was transformed into a sanctuary of hope and justice on Sunday, April 13, as International Justice Mission (IJM) Ghana hosted the 5th edition of its flagship ARISE Concert under the theme “Echoes of Freedom.”
The spirit-filled event brought together hundreds of Ghanaians, including faith leaders, gospel artists, survivors, and advocates, to worship and reaffirm their commitment to the fight against human trafficking.
This year’s concert also celebrated a decade of IJM Ghana’s mission to protect the vulnerable and restore dignity to survivors.
Addressing the gathering, IJM West Africa Director, Anita Budu, stressed the need for collective action: “Justice is not just the work of a few, it is the responsibility of every Christian. Through worship and advocacy, we can echo the voices of survivors and take action.”
The night featured performances from Pastor Eugene Zuta, Christ Life Music, Heart Song, Ruthie Boat, and the Bethel Revival Choir. German-based gospel artist SOBI also graced the stage, leading worship with songs from her debut album Beloved Child.
A highlight of the evening was the launch of the Echoes of Freedom album—an original musical project by IJM Ghana’s Sound of Justice choir, inspired by real stories of resilience and faith.
Gospel icon and album co-producer Pastor Eugene Zuta described the project as a powerful tool for change: “Worship is not just a melody—it’s a call to justice. This concert is a voice for those crying out for freedom.”
A special documentary showcased survivor-led advocacy through the Ghana Survivor Network, bringing the night’s message full circle.
Worlanyo Forster, IJM Ghana’s Director of Advocacy and Partnerships, expressed gratitude to all who made the event possible: “Ending human trafficking takes all of us—through policy, prayer, music, and more. Let us keep using every platform to pursue justice.”
ARISE 2025 wasn’t just a concert—it was a movement. A call for all Ghanaians to rise up, retool, and recommit to a future free from trafficking.
