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Tyla claims she symbolises Amapiano after winning the Afrobeats category at the 2024 VMAs

Tyla won the Best Afrobeats at the 2024 VMAs.

During her acceptance speech at the 2024 VMAs, the South African superstar chose to identify with South Africa’s Amapiano music after winning the Afrobeats category.

After accepting the Best Afrobeats Award at the 2024 VMAs for her hit single ‘Water’, Tyla expressed her gratitude for winning the category while also pointedly deciding to offer the organisers a crash course on muddling up all music from Africa as Afrobeats.

“I know there’s a tendency to group all African artists as Afrobeats. Even though Afrobeats has run things and opened doors for us, African music is so diverse,” Tyla said.

“I come from South Africa and I represent Amapiano and my culture,” Tyla added before shouting out to RemaTemsAyra StarrBurna BoyWikzidDavido, and other Afrobeats acts with whom she was nominated.

Tyla’s acceptance speech has attracted some criticism from Nigerian observers who questioned her decision to largely disavow the Afrobeats after winning an Afrobeats category with a song that’s clearly Afrobeats in its composition.

Media personality and award-winning OAP Do2tun criticised the South African star for accepting the Afrobeats award at the 2024 VMAs if she thought her song wasn’t an Afrobeats song.

“Aunty @tyla aka am not Afrobeats, I am Amapiano. We have heard you but your song “Water” isn’t amapiano either. If you thought you were categorized in the wrong category, you should have given the award back or denounced the nomination. You clearly took an award that didn’t represent you or your sound from that statement you made,” Do2tun said on his Instagram account.

Media Personality Do2tun knocks Tyla for her acceptance speech after winning Afrobeats category at 2024 VMAs

Media Personality Do2tun knocks Tyla for her acceptance speech after winning Afrobeats category at 2024 VMAs

Tyla’s recent statement on Afrobeats is considered by some observers to be a tacit disassociation from the genre and movement in what has been a disturbing trend in Nigerian music.

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